This music is like ethnographic work. It chronicles almost three years of living in a pandemic. Some of it is dark and brooding, some of it loose and open-hearted. Pursuing phantoms happens in both ways.
With its companion, Pursuing Phantoms III, the two records are like twins that deserve their independence. They were conceived in the same situation and subsequently coalesced into different assemblies according to mood. They exist separately as works but belong in conversation with each other and gain from their juxtaposition. They belong to the same adventure.
Each piece charts its own waters. Although conceived and created from the experience of isolation, what was learned in the process is that isolation in a pandemic produces uncanny commonality. From this standpoint, each piece is also a mapping of the commons. Isolation breeds plurality. In solitude we imagine interrelation. A wonderful group of musician friends in different parts of the globe generously contributed to the realization of this music. The Sublamental family is growing.
